Hi Everyone!
I am excited to be here today to bring you a guest post from author, Neel Mullick. Please help me by giving him a warm welcome to the blog.
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Dark Blossom
came to my rescue at a time when I was struggling with empathy in my life. My
imagination had run amok and created characters that were very different from
me but were facing similar yet exaggerated ordeals in their lives. I finally
took to the pen when I found myself consumed by the need to crawl under their
skins, connect with them empathically, and describe the world the way they were
seeing it. To be honest, it wasn’t until I had lost a couple of months and
gained almost ten pounds that I realized I was writing a story!
Even though the book
is not autobiographical by any stretch of imagination, I did find myself
turning to events, experiences, and people from my life for inspiration and it
does have bits and pieces of me.
While my characters’ ordeals
may be considered dark, my innateness drove me to narrate their stories in an
entertaining way. Soon I discovered this to be the salve I needed in my life,
because in order to achieve that, I needed a double dose of empathy – for
my characters as well as for readers. And it was because of the role of the
book in filling that personal void that I decided to donate half my royalties
to charity.
I am only beginning
to understand that writing and learning are synonymous but perhaps the most
significant epiphany has been the realization that a good story takes place at
the intersection of personal authenticity and people’s perception. A good story
must be borne from a sincere place and telling it in a way that captivates
audiences requires understanding how people perceive it viscerally. While the
former allowed me to delineate the range of my characters’ expressions, the
latter lets readers partake of such expression. While the former can get you to
a first draft, it takes brutal honesty with respect to understanding the latter
that gets you to a final version.
Given that I had
taken to writing in somewhat of a frenzy, I had to subsequently double back for
research. This was all the more important because I was not only aspiring to
deal with a lot of sensitive topics in a riveting way but also narrating from
the perspective of a woman psychologist who was from a cultural background
different from mine. I had to both push myself out of my comfort zone and dig
very deep within. Other than reading works of fiction as well as non-fiction
(including autobiographies) dealing with these sensitive topics, I also had to
talk to a lot of psychologists. I needed to understand the subtleties of
suffering and how specialists help the human psyche cope with and heal such fractures.
The first draft took
me about three months but then came the more arduous process of editing. Even
though it took more rounds of editing than I am embarrassed to admit, they were
almost evenly paced out over one and a half years. In retrospect, this worked
out better for me as well as for the story, because it took me that long to be
honest and objective about it.
While readers seem to
be enjoying Dark Blossom as a suspenseful psychological thriller, to me
it remains a story of love in spite of loss and of empathy in the face of
adversity. So it’s even more gratifying when I get an occasional note from a
reader telling me not just how much they enjoyed it but also what they took
away from the book on love, parenting, and on healing for that matter.
Now that I have
crossed the bridge of publishing and am navigating the streets of marketing, I
am convinced that, first and foremost, there is no substitute for a good story
and great storytelling. And the process that helped me the most in getting there
was support from a good and sincere editor – one who has ample experience and
few prejudices. To anyone looking to get published, I would strongly recommend
subjecting your work to the feedback of such an editor, honestly, before
putting your work out there.
Once this critical
ingredient is ready, come all the other aspects of publishing the book and then
promoting it. Given the many distractions competing for people’s attention
these days, it bodes well for authors to think through not only how their story
will reach target readers but also how their band will resonate with their
audience.
If you do all these
things you make the publisher’s job easier. But perhaps more importantly, if
success takes time, then being true to this process will give you the
confidence and belief to persevere.
Thank you Neel for the Post!
Neel Mullick is the author of Dark Blossom. The Head of Product and Information Security at a Belgian
family-office technology company, Mullick is a graduate of Carnegie Mellon
University and INSEAD. He mentors female entrepreneurs through the Cherie
Blaire Foundation for Women, is involved in raising a generation of digital and
socially aware leaders with Nigeria’s Steering for Greatness Foundation,
supports improvement in the quality of life of domestic workers through Peru’s
Emprendedoras del Hogar, and works with IIMPACT in India to help break the
cycle of illiteracy plaguing young girls from socially and economically
impoverished communities. Dark Blossom is his first novel.
Happy Reading!
