Hi Everyone!
I am super excited to be here with you today to feature a guest post from author, Larissa Reinhart. Please help me by giving her a warm welcome!
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15 MINUTES, Maizie Albright Star
Detective, by Larissa Reinhart
Doing HHI As Research for My
Reality Star Heroine
Last May 2016, my family had our
TV debut in HGTV’s House Hunters International. Our episode was “Living for the Weekend in Nagoya, Japan” and is now showing as a rerun (most currently on
February 21st at 12:30 pm EST). The shoot took five days and was a lot of fun.
The crew was wonderful, very friendly and sweet with our children. We’ve been
longtime fans of the show and were thrilled to be a part of it.
When my husband first inquired
about the show’s application process, I didn’t think we’d have a chance of
getting picked. We’d lived in Japan three times previously, how could we be
interesting to viewers? However, I had started writing my first Maizie Albright
Star Detective story, 15 Minutes. Mazie’s an ex-child and teen star
whose star imploded and landed her on a reality show between bouts of rehab.
She’s forced by a judge to leave LA and her celebrity lifestyle to return to
her hometown in Georgia, where she decides to become a private investigator
(after playing one on TV).
Unbeknownst to Maizie, her reality
show follows her to Georgia, so I thought it’d be great research to see what
went into applying to be on a reality show. Little did I know, that by the time
I finished writing 15 Minutes, I’d be on a reality show and using what I
learned for the other books in the series.
Here’s five things I learned.
1) A lot of your filming day is waiting for sound and
light. When you’re indoors, light is always an issue. Sometimes indoor light
reflects green, so the cameraman has to find an angle that works. For HHI, he
needs shots of the interior before we come in to look at the house. When you’re
outdoors, sound is always an issue. The mixer needs to constantly do background
noise checks. And for some reason, waiting is exhausting.
2) On a reality show, everything
is improvised, the words are yours, and your reactions are genuine. However,
when there’s only one camera, the director may want to get other angles. Then
you have to do the same scene again and repeat what you just said. And
sometimes you have to do it many times because you forgot what you said or you
flub it. Or a loud truck rumbles by and ruins the sound.
This happened a lot, especially in
the first days of our filming. However, in our last big scene where we discuss
our three housing options and decide which house to choose, we did it one take.
That felt great!
3) The director is watching the
action and listening to sound from a small TV screen that’s connected to the
camera wirelessly. The cameraman is paying attention to angles, light, and
composition, what technically will look good. The sound mixer is wearing
headphones and checking for sound clarity. The director is thinking about the
story and creatively what looks good. She’s also in charge of the filming time
table each day. Camera and sound are the trees and she’s the forest. No one’s
paying much attention to you unless you screw up.
4) The worst thing you can do is
look at the camera. If you look at the camera, you have to do the shot over.
I learned this the hard way. Many
times.
5) Our shoots were 8 to 5 with an
hour break for lunch every day. We all went to lunch together but at the end of
the day, the crew went back to their hotel and worked. They had to upload the
film, check it, and prepare for the next day.
There’s no after-party with the
crew. They take their job seriously and like everyone, when the work is over,
they want to go home.
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Thanks Larissa for being here today!
Happy Reading!
